Jacob Frye (
assassin_daddy) wrote2001-10-04 02:32 pm
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Jᴀᴄᴏʙ Fʀʏᴇ "I'm no criminal. I just do as I please." |
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"I'd use it like a knuckle duster, myself. With the prong between index ad middle finger. That's a punch that'll send someone reeling." It's a good idea too. "The belt itself? Depends how thick it is, how strong. Good for strangling someone. And obviously as a makeshift restraint."
The options are listed, ticked off. Anything and everything can be a weapon. The fork she used to eat her cake, take an eye out or stab them in the neck, or the thigh where the major artery is. The sofa cushions can be used to smother someone. The cake shoved into their mouth to choke them. It's easy, really. Especially easy when you've been taught since childhood to think that way.
She had to grow up, she says. He wonders what she was like before, when she was training to do all this legal work. Does she even remember that old life?
"Why did you choose to be a paralegal?"
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Rosita is not a large person so her belt is lightly functional at best; it holds her knife in place but that's about it. All the same it's always double-pronged and sturdy, with a buckle the width of her palm.
Then he asks a question that catches her... not completely off guard, but the way she blinks about it when she's readily fielded other questions about walkers and survival and things most people would consider much harder subjects is probably more telling than she'd like. Most survivors don't talk about the old world anymore. There's no point unless it's a skill that carries over.
Although apparently, now it does. "Oh, uh. It's... it might be complicated. And feels stupid now," she hedges while she tries to find her metaphorical footing again.
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But then as she considers what he's asked, he sees the hesitation and the uncertainty. He's not sure of she simply doesn't remember or if she's embarrassed about it, which is what her words indicate, but she is playing for time. And he decides its not something that she has to share, not something pressing.
"It was an idle thought. You don't need to worry. I... never had the choice, right? Most people in my time don't. You get a job in the local factory or in the mine or your dad's bakery and that's what you do." A shrug, to brush it off. "I just wondered why you picked that. It sounds more interesting that factory work. Or bakeries."
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It feels really stupid to let a government take someone she loves, someone hard working and who will be in danger if they're sent back to where they came from, just because 'it's the law,' and to try to make it stop by using words written on paper.
"It was interesting," she allows. She'll give it that. "But I would have liked something that I could use when the dead came back." Dismissive, glad to have something to move onto, to not have to try to explain her mother or immigration laws or racists - although god knows this last isn't new to him by his own admission.
"It's worked out, but I'd like to know what kind of witchcraft makes a freaking cake happen."
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Just like a lot of diseases, people can't know when they will hit. Some things are ticking bombs: a thousand people using the same well and without proper sanitation? A butcher's shop without refrigeration. But you can't predict everything.
"There's a lady here, Persephone. She could tell you. She's good with all sorts of bakery things. Used to make biscuits and cakes a lot, back when we both worked for the same bloke." She probably still does, but not on that sort of scale any more.
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But that's water under the bridge now and they just have to deal with it, which she's excellent at doing. She smiles at mention of Persephone, but chances of her actively seeking this woman out and asking about baking are low. Not nonexistent, but especially right now when Rosita feels at capacity with people she doesn't know and asking them for things, baking doesn't seem that important. She's not likely to have ingredients available anyway when she goes home, and won't remember it regardless apparently.
"Is there anything else you want to know?" He skipped the third question, she realizes, which could be a mistake on the road; in her case though, he's right about her reasons, and they're not on the road.
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He appreciates he's getting to the point of staying past his welcome, and she probably wants to attend to things that aren't answering his questions.
"No, I think you've covered everything." He says, casting an eye back over the papers on the coffee table. "And dinner was delicious. I'll look forward to the spicy version next time. And maybe... well, maybe before then I'll take my turn in sorting out a meal."
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So she doesn't seriously entertain learning to bake from anyone, but he compliments her cooking and she chuckles as she pushes up to her feet and crosses back to the kitchen.
"Let me pack some of this up for you to take with," she says, not a question, but a gift. It would have meant more, back home. "We'll ease you into the spice, just to be safe." And then she glances over and smiles; it's novel, having someone else offer to cook her anything, even if it's not the most solid endorsement or offer she's ever heard.
"I'd eat it," she promises. "I'd like that."
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He smiles, shaking his head.
"I won't cook. But I know some great curry places in the Down. It's not quiet Indian food, but it's very, very close."
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"I haven't had much curry, and not for a long time. That'd be... nice."
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Its part of the reason he wants to try to grow something. Keep some chickens. Something. If they sign this contract, if he gets Hollow, then perhaps that's possible.
"Thank you. For the food. And the company. And talking the contract through. When we sign it, I'll bring curry."
And woth that, he will leave her, give her some privacy and walk back to the Down, turning over the events of the evening in his head.
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She's there, a bit more put together herself - dark hair sleek and brushed back out of her face into two low ponytails, a loose but feminine cut henley, tailored jeans and her ever-present knife - when she lets him in but the apartment no messier and largely unchanged, which would make the one change there is a bit more glaring in comparison even if it weren't brightly colored and completely different from everything else about the decor. On the coffee table where they'd gone over the contract before is now a very small, very limited collection of items including half a dozen marigolds and skulls cut out of neon orange, blue, and pink paper on a string around a shot glass half-full of amber liquid and a lit tealight candle.
"Hey - come on in. I hope you were serious because all I have is chips and canned corn."
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"Curry, as madam requested. There's one that's spicy chicken and one that's fish. And there's rice and bread, cheese and peas and something with potato."
He has got the menu in his pocket with what they actually made up for him, in case she wanted to know exactly what things are, and he's happy to help set the table or grab dishes as needed.
"Do you want to sign first? Or after?" He asks, wondering if it will feel more celebratory if they eat afterwards.
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It will be finished that far at least.
"Here," she offers the clear counterspace for the food, then nods to the table with two neat stacks of papers. "Contract's there. Deeds for the house and the pub are underneath. I already talked to Vrenille."
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"You've been busy then," He says, coming to the table with the papers, looking over them to see how the things they've agreed have been written up, interested in the wording.
It's while he's waiting for her that he glances toward the coffee table again, the flowers and the... alter that's been set up, pondering it.
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She's done all she can. She doesn't rush him, doesn't crowd him, only nods - "I like being busy." - and moves over to take the chair he doesn't.
"I've been thinking since we talked, and - I think this really will work out best for all of us. I think it can. I want it to." She's looking over her copy for the thousandth time it feels, so she doesn't notice him eying her ofrenda, clicking the pen idly in her hand.
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His attention goes back to the papers, and he reads through them before he finds a pen to sign with, before handing that page to her so she can also sign.
"I hope so. I want... this to be beneficial to both of us. Not only keeping you out of jail I mean. I enjoy your company."
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"Well, I am delightful," she allows, blowing on the ink before setting all of it aside. "I almost feel like there should be some of those bottle poppers or something. Some champagne. ¡Salud!, you know?" She glances towards the bags he brought, then back at him. "Don't suppose anything in there explodes?"
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"You are, and I won't have anyone say otherwise." He agrees, and although she might not have meant it, he does. It's not so evident in his tone, unfortunately.
"No, but-" He says, and pauses, moving to pull a hip flask out of the inside pocket of his coat, "If you did want something, there's whiskey in here. The Scottish stuff." He adds, because the stuff that is made in America is... not the same. He'll be polite. "The only things that I know explode are explosives, and I don't think we should opt for that."
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"Meds," she says instead, since she's already explained it once. "But once I'm off 'em, watch your back. I have a tolerance to reclaim." She does get up to get herself a bottle of something sparkling and nonalcoholic she plucked off the shelf at the grocery store, and she does raise a glass of this to his flask.
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He will gently knock his flask against her bottle, taking a sensible swig, and then capping it. Drinking is only something he wants to do with people nowadays. But he will fetch the plates and the food, so they can eat, letting her do whatever she needs to do with the papers.
"Was Indian food something you had much before?" He asks, putting down rice on both plates and some of the bread too, moving them to the table and then putting the silver trays down too so they can pick at what they fancy.
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Still, she lets him grab down the dishes, and only trails over after she's slipped the papers into an envelope to deliver tomorrow morning first thing. She follows her nose, peering curiously down at the food.
"Once," she admits. "It was a long time ago though, so let's go with no. What is it?"
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"So rice- I think it's probably different from the rice you have, a different variety. Then we have chicken curry, which is like a Tari Wala, and fish curry, and I don't remember the name of that one. The dish with peas in is Mutter Paneer, the white cubes are cheese. It's the most amazing sort of cheese I've ever had. The fried, spicy potatoes are... something aloo. And bread. Naan, it's called."
He brings over the bottle of lassi too, "This is yoghurt, but made into a drink with mango. I thought it might be nice for dessert. Or if it gets too spicy for you." He teases, sitting down to eat with her.
"There's probably going to be left overs. But all of this is good the next day too."
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"I'll do my best to keep up," she assures him, picking up her fork. "It smells amazing. Which one's your favorite?" She's assuming it's here, since she didn't have a preference.
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"My favourite of what they make here is the paneer," He admits- and that's what he helps himself to first, the paneer is soft and smooth, the peas add a pop of freshness, the spice it's cooked in warms you from the inside out. It's simple and delicious. "After that? The fish. But in India? Its all a hundred times better."
He'll let her help herself to whatever she fancies, the fish is creamier than the chicken but the spice has sunk deep into the white flakes. It's almost too good to be true.
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